2024-25 Board of Directors
Bill Rogers, President
He/Him
Bill spent 24 years as a commissioned officer in the Coast Guard and has extensive experience at sea performing law enforcement, search and rescue, and military operations. When not underway, he had leadership roles in strategic planning, human resources management and organizational process assessment. Since retiring in 2008, he has worked as a defense contractor. He has appeared in every VLOC production since The Yeomen of the Guard in 2014 and has led set construction, load, and strike since 2015. Previously, he spent 7 years volunteering with the Musical Theater Center as a set builder and production run crew and has sung in 10 different church choirs since 1978 (the Coast Guard kept moving him).
He/Him
Bill spent 24 years as a commissioned officer in the Coast Guard and has extensive experience at sea performing law enforcement, search and rescue, and military operations. When not underway, he had leadership roles in strategic planning, human resources management and organizational process assessment. Since retiring in 2008, he has worked as a defense contractor. He has appeared in every VLOC production since The Yeomen of the Guard in 2014 and has led set construction, load, and strike since 2015. Previously, he spent 7 years volunteering with the Musical Theater Center as a set builder and production run crew and has sung in 10 different church choirs since 1978 (the Coast Guard kept moving him).
Sarah Robinson, Vice President
She/Her
Sarah first performed with VLOC in 2019 as an ensemble member in Princess Ida. Since then she has appeared in four additional productions, including the first all-virtual A Gilbert & Sullivan Drawing Room film, where she proudly made a cameo as Queen Victoria. Always willing to sew a tear or hem a costume backstage, she also recently assisted with costume construction for Iolanthe. A native of Maryland, she spent 10 years out of state collecting engineering degrees, including a B.S. in Applied & Engineering Physics from Cornell University, and a M.S. and Ph.D. in Electrical Engineering from the University of Illinois Urbana-Champaign, where she sang frequently with the Baroque Artists of Champaign Urbana (BACH) and Cappella Orpheus. She is deeply grateful for the warm community and fulfilling musical experiences that VLOC provides.
She/Her
Sarah first performed with VLOC in 2019 as an ensemble member in Princess Ida. Since then she has appeared in four additional productions, including the first all-virtual A Gilbert & Sullivan Drawing Room film, where she proudly made a cameo as Queen Victoria. Always willing to sew a tear or hem a costume backstage, she also recently assisted with costume construction for Iolanthe. A native of Maryland, she spent 10 years out of state collecting engineering degrees, including a B.S. in Applied & Engineering Physics from Cornell University, and a M.S. and Ph.D. in Electrical Engineering from the University of Illinois Urbana-Champaign, where she sang frequently with the Baroque Artists of Champaign Urbana (BACH) and Cappella Orpheus. She is deeply grateful for the warm community and fulfilling musical experiences that VLOC provides.
Stephen Brown, Treasurer
He/Him
Stephen has been singing in choirs for many decades - both in the UK where he lived until 1994, and the USA (most recently with American University chorus.) However, he has been involved in operetta only since the fall of 2019 when he joined the VLOC chorus as Pirate of Penzance. He qualified as a Chartered Accountant and tax practitioner in the UK before moving to the USA to complete a PhD at Northwestern University. He subsequently researched and taught accounting professor at Emory University (in Atlanta) and the University of Maryland - from where he is now retired. He is also happy to (at last) put his undergraduate degree in Engineering Science to some use while assisting with the construction of VLOC sets.
He/Him
Stephen has been singing in choirs for many decades - both in the UK where he lived until 1994, and the USA (most recently with American University chorus.) However, he has been involved in operetta only since the fall of 2019 when he joined the VLOC chorus as Pirate of Penzance. He qualified as a Chartered Accountant and tax practitioner in the UK before moving to the USA to complete a PhD at Northwestern University. He subsequently researched and taught accounting professor at Emory University (in Atlanta) and the University of Maryland - from where he is now retired. He is also happy to (at last) put his undergraduate degree in Engineering Science to some use while assisting with the construction of VLOC sets.
Michael Beder, Secretary
He/Him
Michael Beder grew up in Montgomery County, graduating from Winston Churchill High School (where he got his first significant exposure to the theater). He returned to the D.C. area after college and soon entered Georgetown Law. More importantly, he joined the Georgetown Gilbert & Sullivan Society, where he stage managed four shows, has worked as an ASM and/or on the lights crew for many more, and even performed a few times, in addition to serving a year as the group's Tech Director and two years as an alumni representative on the GG&SS board. With the encouragement of GG&SS members with VLOC experience, he tried out for VLOC's 2015 production of Ruddigore, was fortunate enough to be cast as one of the Sirs Despard, and has been delighted to continue performing with the company - and serving on the Board - since then. He remains a bit miffed that no one told him about VLOC in all the years he grew up in the area and has tried to spread the word. By day, he is a communications lawyer.
He/Him
Michael Beder grew up in Montgomery County, graduating from Winston Churchill High School (where he got his first significant exposure to the theater). He returned to the D.C. area after college and soon entered Georgetown Law. More importantly, he joined the Georgetown Gilbert & Sullivan Society, where he stage managed four shows, has worked as an ASM and/or on the lights crew for many more, and even performed a few times, in addition to serving a year as the group's Tech Director and two years as an alumni representative on the GG&SS board. With the encouragement of GG&SS members with VLOC experience, he tried out for VLOC's 2015 production of Ruddigore, was fortunate enough to be cast as one of the Sirs Despard, and has been delighted to continue performing with the company - and serving on the Board - since then. He remains a bit miffed that no one told him about VLOC in all the years he grew up in the area and has tried to spread the word. By day, he is a communications lawyer.
Dann Chamberlin
He/Him
Dann Chamberlin has been "happily addicted" to Viennese music and Viennese operetta since late high school and college days. He lived in Massachusetts for almost fifty years and moved with his wife Becky to Maryland in 2013 to be nearer to family. He was delighted to find a local group willing and able to stage rare operettas, beginning with "The Charlatan" in 2013. Dann was beyond delighted when in 2019 VLOC staged the rarely performed Strauss operetta "The Queen's Lace Handkerchief," for which Dann obtained copies of the original score and parts from Vienna. Dann has had numerous articles published in the journal of the Johann Strauss Society of Great Britain, and has unearthed four previously unknown waltzes composed by Johann Strauss II in connection with his only visit to America, to Boston in 1872. The most recent of these, the "Fair Columbia Waltzes," came to light in 2020. Dann had the piano score orchestrated by the Austrian composer/conductor Kurt Schmid, with the score and individual parts prepared for performance by VLOC's own Ross Capon and his son William. "Fair Columbia" received its modern-day premiere on August 6th of 2022, performed by the professional Boston Landmarks Orchestra at the Hatch Shell in Boston. Dann is hoping that VLOC will do something special in 2025, which is the 200th anniversary of the birth of the "Waltz King," Johann Strauss II.
He/Him
Dann Chamberlin has been "happily addicted" to Viennese music and Viennese operetta since late high school and college days. He lived in Massachusetts for almost fifty years and moved with his wife Becky to Maryland in 2013 to be nearer to family. He was delighted to find a local group willing and able to stage rare operettas, beginning with "The Charlatan" in 2013. Dann was beyond delighted when in 2019 VLOC staged the rarely performed Strauss operetta "The Queen's Lace Handkerchief," for which Dann obtained copies of the original score and parts from Vienna. Dann has had numerous articles published in the journal of the Johann Strauss Society of Great Britain, and has unearthed four previously unknown waltzes composed by Johann Strauss II in connection with his only visit to America, to Boston in 1872. The most recent of these, the "Fair Columbia Waltzes," came to light in 2020. Dann had the piano score orchestrated by the Austrian composer/conductor Kurt Schmid, with the score and individual parts prepared for performance by VLOC's own Ross Capon and his son William. "Fair Columbia" received its modern-day premiere on August 6th of 2022, performed by the professional Boston Landmarks Orchestra at the Hatch Shell in Boston. Dann is hoping that VLOC will do something special in 2025, which is the 200th anniversary of the birth of the "Waltz King," Johann Strauss II.
Cassie Conley
She/Her
Cassie has played violin since age three, sung in choirs since grade school, and started viola after moving to DC in 2006, playing G&S since grad school (although not yet Yeomen of the Guard), and with VLOC since around 2010 on an unusual Dali-esque 5-string viola. Chamber and orchestral music were a major focus as a kid and while obtaining degrees in biology at MIT and Cornell, as well as more recently when living in in DC. After a career working for NASA, future plans include a lot more music and planting trees on a 40-acre 'retirement' farm further north.
She/Her
Cassie has played violin since age three, sung in choirs since grade school, and started viola after moving to DC in 2006, playing G&S since grad school (although not yet Yeomen of the Guard), and with VLOC since around 2010 on an unusual Dali-esque 5-string viola. Chamber and orchestral music were a major focus as a kid and while obtaining degrees in biology at MIT and Cornell, as well as more recently when living in in DC. After a career working for NASA, future plans include a lot more music and planting trees on a 40-acre 'retirement' farm further north.
Lisa Fahlstrom
She/Her
Born raised in the DC area, Lisa holds a B.S. in Music Education with a minor in Studio Art. She currently works full time as a police officer with the Montgomery County Police, assigned to police academy subject firearms. She volunteers at Wilson Parrot Rescue in Damascus, MD, and plays with Rockville Concert Band, Montgomery Village Community Band, Montgomery Symphony Orchestra and VLOC. Lisa plays flute, piccolo, alto and bass flute, oboe and the theremin. She is also the recording secretary for the Celtic Society Southern MD and runs the exhibit hall for the Mid Atlantic Flute Convention. She is Chair of the Amateur Resources Committee at the National Flute Association. She is currently a music librarian for both Rockville Concert Band and the Montgomery Village Community Band, and a Member of the Washington Recorder Society. She also performs restoration and touch up of the animals on the Glen Echo Carousel and has been an operator of the carousel.
She/Her
Born raised in the DC area, Lisa holds a B.S. in Music Education with a minor in Studio Art. She currently works full time as a police officer with the Montgomery County Police, assigned to police academy subject firearms. She volunteers at Wilson Parrot Rescue in Damascus, MD, and plays with Rockville Concert Band, Montgomery Village Community Band, Montgomery Symphony Orchestra and VLOC. Lisa plays flute, piccolo, alto and bass flute, oboe and the theremin. She is also the recording secretary for the Celtic Society Southern MD and runs the exhibit hall for the Mid Atlantic Flute Convention. She is Chair of the Amateur Resources Committee at the National Flute Association. She is currently a music librarian for both Rockville Concert Band and the Montgomery Village Community Band, and a Member of the Washington Recorder Society. She also performs restoration and touch up of the animals on the Glen Echo Carousel and has been an operator of the carousel.
Catherine Huntress-Reeve
She/Her
Kate came to VLOC in 1997, directing a double bill of Trial by Jury and The Sorcerer. Since then, she has served as stage director or music director for numerous VLOC productions, including HMS Pinafore, Haddon Hall, Orpheus in the Underworld, Magic Flute, Die Fledermaus, The Gondoliers, and Ruddigore. She has conducted VLOC "run-outs" including holiday and civic performances. She serves as Assistant Minister of Music at All Saints Church in Chevy Chase. Kate holds a Bachelor's of Music in Vocal Performance, and a Master's in Vocal Performance and Conducting, both from the University of Michigan. By day, Kate is often found in a middle-school classroom, where she subs long-term in math, science, and (of course) music. She is married to David Reeve, a crackerjack stage manager when his day job permits. They have two daughters, who were raised in the way of G&S.
She/Her
Kate came to VLOC in 1997, directing a double bill of Trial by Jury and The Sorcerer. Since then, she has served as stage director or music director for numerous VLOC productions, including HMS Pinafore, Haddon Hall, Orpheus in the Underworld, Magic Flute, Die Fledermaus, The Gondoliers, and Ruddigore. She has conducted VLOC "run-outs" including holiday and civic performances. She serves as Assistant Minister of Music at All Saints Church in Chevy Chase. Kate holds a Bachelor's of Music in Vocal Performance, and a Master's in Vocal Performance and Conducting, both from the University of Michigan. By day, Kate is often found in a middle-school classroom, where she subs long-term in math, science, and (of course) music. She is married to David Reeve, a crackerjack stage manager when his day job permits. They have two daughters, who were raised in the way of G&S.
Amanda Laudwein
She/Her
Amanda Laudwein was a student in Montgomery College’s orchestra in the 70’s where she met fellow VLOC orchestra member Bonnie Barrows and got interested in opera and musical theatre. She continued to play with MC (and all productions) until 2005 when she helped form Montgomery Philharmonic (Gaithersburg). She was on their board and was their orchestra manager until 2022. Amanda’s first college degree was in Early Childhood Education which she put to good use until her youngest daughter started school, switching careers to agriculture. She retired after 16 years working for University of Maryland Extension but continues to work privately with smaller farms, nurseries and greenhouses helping them keep in compliance with state regulations. Bonnie introduced Amanda to VLOC (they think) in 1985. The conductor then was Barry Morley. His favorite rant to the orchestra was “don’t follow me…play it right!” which they steadfastly tried to do! She has played almost every show since then…twice while 39 weeks pregnant…making for a very nervous conductor! Fortunately, they had a brain surgeon in the pit both times!
She/Her
Amanda Laudwein was a student in Montgomery College’s orchestra in the 70’s where she met fellow VLOC orchestra member Bonnie Barrows and got interested in opera and musical theatre. She continued to play with MC (and all productions) until 2005 when she helped form Montgomery Philharmonic (Gaithersburg). She was on their board and was their orchestra manager until 2022. Amanda’s first college degree was in Early Childhood Education which she put to good use until her youngest daughter started school, switching careers to agriculture. She retired after 16 years working for University of Maryland Extension but continues to work privately with smaller farms, nurseries and greenhouses helping them keep in compliance with state regulations. Bonnie introduced Amanda to VLOC (they think) in 1985. The conductor then was Barry Morley. His favorite rant to the orchestra was “don’t follow me…play it right!” which they steadfastly tried to do! She has played almost every show since then…twice while 39 weeks pregnant…making for a very nervous conductor! Fortunately, they had a brain surgeon in the pit both times!
Amanda Jones
She/Her
Amanda has been involved with VLOC since 2013 when she joined the ensemble of Iolanthe. Since then she has been in 10 stage productions and has served on the board of directors for 5 years. She lives with her husband and daughter in North Bethesda, MD. She holds a Bachelor's degree in Vocal Performance from The College of William and Mary. She holds Bachelor's and Master's degrees in Nursing from Johns Hopkins University. When not on stage, she works full time as a Nurse Practitioner at The National Institutes of Health, studying rare lung diseases.
She/Her
Amanda has been involved with VLOC since 2013 when she joined the ensemble of Iolanthe. Since then she has been in 10 stage productions and has served on the board of directors for 5 years. She lives with her husband and daughter in North Bethesda, MD. She holds a Bachelor's degree in Vocal Performance from The College of William and Mary. She holds Bachelor's and Master's degrees in Nursing from Johns Hopkins University. When not on stage, she works full time as a Nurse Practitioner at The National Institutes of Health, studying rare lung diseases.
Stevie Miller
She/Her
Stevie was born and raised in Maryland, and has been acting and singing since her elementary school days. She holds a Bachelor’s degree in Music from Bryn Mawr College as well as acting certificates from The William Esper Studio and the Royal Academy of Dramatic Art. She joined VLOC in 2012 as a member of the ensemble in the Trial by Jury/The Sorcerer double bill. Her subsequent performances with VLOC include Iolanthe, The Gondoliers, The Pirates of Penzance, H.M.S. Pinafore, A Gentleman’s Guide to Love and Murder, and Ruddigore. She served as Music Director for VLOC’s production of Little Red’s Most Unusual Day at the Gaithersburg Arts Barn, and as Assistant Music Director for El Capitan and H.M.S. Pinafore at the F. Scott Fitzgerald Theatre. She performs throughout the area as an actor and singer while maintaining a private studio teaching piano and voice lessons.
She/Her
Stevie was born and raised in Maryland, and has been acting and singing since her elementary school days. She holds a Bachelor’s degree in Music from Bryn Mawr College as well as acting certificates from The William Esper Studio and the Royal Academy of Dramatic Art. She joined VLOC in 2012 as a member of the ensemble in the Trial by Jury/The Sorcerer double bill. Her subsequent performances with VLOC include Iolanthe, The Gondoliers, The Pirates of Penzance, H.M.S. Pinafore, A Gentleman’s Guide to Love and Murder, and Ruddigore. She served as Music Director for VLOC’s production of Little Red’s Most Unusual Day at the Gaithersburg Arts Barn, and as Assistant Music Director for El Capitan and H.M.S. Pinafore at the F. Scott Fitzgerald Theatre. She performs throughout the area as an actor and singer while maintaining a private studio teaching piano and voice lessons.
Karen Moore
She/Her
Karen Moore has a lifelong love of light opera, starting an an early age where many of her happiest memories are attending Light Opera of Manhattan (LOOM) productions of Gilbert and Sullivan operettas at the Jan Hus playhouse in New York with her father. She has taken every opportunity over the years to attend performances around the world, from high school efforts to sophisticated stagings. When moving to the DC area in 2013, she was particularly delighted to discover VLOC and has attended nearly every Gilbert and Sullivan production at the F. Scott Fitzgerald theatre ever since, many with her father, while he was still able to travel, and most with both her child and husband. Her child has subsequently gone on to complete a theatre major in university and is now apprenticing in sound at a theatre in Michigan, while her husband, a British citizen, is continuously impressed by the productions and the accents!
Currently an advisor to corporate boards and officers, adjunct professor at Fordham Law School and frequent speaker on data privacy, compliance and ethics, Mrs. Moore holds a BA from Middlebury College, a JD from Emory University, and a certificate of European legal studies from Leiden University. Currently based in the Washington DC metro area, Mrs. Moore has also lived and worked in Moscow, Russia, and Lausanne, Switzerland.
She/Her
Karen Moore has a lifelong love of light opera, starting an an early age where many of her happiest memories are attending Light Opera of Manhattan (LOOM) productions of Gilbert and Sullivan operettas at the Jan Hus playhouse in New York with her father. She has taken every opportunity over the years to attend performances around the world, from high school efforts to sophisticated stagings. When moving to the DC area in 2013, she was particularly delighted to discover VLOC and has attended nearly every Gilbert and Sullivan production at the F. Scott Fitzgerald theatre ever since, many with her father, while he was still able to travel, and most with both her child and husband. Her child has subsequently gone on to complete a theatre major in university and is now apprenticing in sound at a theatre in Michigan, while her husband, a British citizen, is continuously impressed by the productions and the accents!
Currently an advisor to corporate boards and officers, adjunct professor at Fordham Law School and frequent speaker on data privacy, compliance and ethics, Mrs. Moore holds a BA from Middlebury College, a JD from Emory University, and a certificate of European legal studies from Leiden University. Currently based in the Washington DC metro area, Mrs. Moore has also lived and worked in Moscow, Russia, and Lausanne, Switzerland.
Long Nguyen
He/Him
Long Nguyen loves videography and singing equally, spending most of his time splitting between the two passions. He joined VLOC in 2022 in Les Brigands and made a further appearance in New Moon. An avid Savoyard ever since he was introduced to the work of Gilbert & Sullivan through a friend in 2019, Long was initially drawn to VLOC because it is the only opera company in the DMV area with a dedicated G&S repertoire. Since then, however, he has grown to love both the music VLOC performs and the community aspect the company represents. Outside of VLOC, he is also a frequent performer of German lieder and a conductor at Capitol Hill Baptist Church, where he conducts the annual Handel’s Messiah concert. He is a videographer by trade, working for the George Washington University as his day job, and helping VLOC record videos of productions in the evening. A native of Silver Spring, MD who currently resides in DC, Long has an MA in Photojournalism from the George Washington University and a BA in Political Science from the University of Richmond with a Minor in Music.
He/Him
Long Nguyen loves videography and singing equally, spending most of his time splitting between the two passions. He joined VLOC in 2022 in Les Brigands and made a further appearance in New Moon. An avid Savoyard ever since he was introduced to the work of Gilbert & Sullivan through a friend in 2019, Long was initially drawn to VLOC because it is the only opera company in the DMV area with a dedicated G&S repertoire. Since then, however, he has grown to love both the music VLOC performs and the community aspect the company represents. Outside of VLOC, he is also a frequent performer of German lieder and a conductor at Capitol Hill Baptist Church, where he conducts the annual Handel’s Messiah concert. He is a videographer by trade, working for the George Washington University as his day job, and helping VLOC record videos of productions in the evening. A native of Silver Spring, MD who currently resides in DC, Long has an MA in Photojournalism from the George Washington University and a BA in Political Science from the University of Richmond with a Minor in Music.
Cheryl Stafford
She/Her
Cheryl Stafford started dance at age three, piano age six, and singing age nine. She studied ballet, modern dance, voice, piano, music theory, and acting at the College Conservatory of Music, University of Cincinnati, preparatory department and college for ten years. She began the study of historical dance and music in 1978 and went on to become a noted dancer/dance historian. Ms. Stafford founded/directed her own historical dance company for 30 years translating, reconstructing, choreographing, performing, teaching, lecturing, leading balls and workshops on European/American dance and music from the 1420-1920 time periods. She danced with the Court Dance Company of New York on several occasions, as the directors would fly her from Cincinnati to do so. She has performed at the Boston Early Music Festival, Lincoln Center, Kennedy Center, and danced for the BBC/WNET series Dancing. After moving to Maryland, she directed/choreographed many modern musicals, taught voice and dance at the Musical Theater Center for 13 years, and Black Rock Center for the Arts for three years. She used her MS in Management and Business skills to open and successfully run her own performing arts studio in the Kentlands for 10 years. Ms. Stafford has served on the Boards of national dance organizations and continues to serve the National Dance Society in various positions. She began her journey with VLOC at the Sing Out in 2018 and hasn’t looked back. She has appeared in almost every production since then; designed props, and costumes, and worked on conducting.
She/Her
Cheryl Stafford started dance at age three, piano age six, and singing age nine. She studied ballet, modern dance, voice, piano, music theory, and acting at the College Conservatory of Music, University of Cincinnati, preparatory department and college for ten years. She began the study of historical dance and music in 1978 and went on to become a noted dancer/dance historian. Ms. Stafford founded/directed her own historical dance company for 30 years translating, reconstructing, choreographing, performing, teaching, lecturing, leading balls and workshops on European/American dance and music from the 1420-1920 time periods. She danced with the Court Dance Company of New York on several occasions, as the directors would fly her from Cincinnati to do so. She has performed at the Boston Early Music Festival, Lincoln Center, Kennedy Center, and danced for the BBC/WNET series Dancing. After moving to Maryland, she directed/choreographed many modern musicals, taught voice and dance at the Musical Theater Center for 13 years, and Black Rock Center for the Arts for three years. She used her MS in Management and Business skills to open and successfully run her own performing arts studio in the Kentlands for 10 years. Ms. Stafford has served on the Boards of national dance organizations and continues to serve the National Dance Society in various positions. She began her journey with VLOC at the Sing Out in 2018 and hasn’t looked back. She has appeared in almost every production since then; designed props, and costumes, and worked on conducting.
Denise Young
She/Her
Denise Young is a Washington, DC native; attended the University of Maryland studying voice before stumbling into banking as a career. At present she is a branch office administrator for a branch of a national investment company. She has always spent her spare time performing and designing costumes for a variety of groups around the DC area but her theater home is VLOC. Denise’s introduction to VLOC was as a costumer and replacement Grisette in the 1996 production of The Merry Widow and has been involved in every show but two since – as costumer, producer, performer, even stage manager once.
She/Her
Denise Young is a Washington, DC native; attended the University of Maryland studying voice before stumbling into banking as a career. At present she is a branch office administrator for a branch of a national investment company. She has always spent her spare time performing and designing costumes for a variety of groups around the DC area but her theater home is VLOC. Denise’s introduction to VLOC was as a costumer and replacement Grisette in the 1996 production of The Merry Widow and has been involved in every show but two since – as costumer, producer, performer, even stage manager once.
Past & Present Board Members
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Helen Aberger
Erika White Abrams Bob Ashby Rishabh Bajekal Bonnie Barrows Kathy Barry Michael Beder Ed Blau Gail Bock Tim Briceland-Betts Jenny Craley Bland Keely Bosworth Borland Gordon Brigham Stephanie Brigham Bill Brown Felicity Ann Brown Ross Capon Audrey Chang Lynne Clafin Laura Cline Gideon D'Addio Jacy D'Aiutolo David Dubov Helen DuPont Tony Dwyer David Ehrhart Blair Eig Frank Eliot |
Les Elkins
Erica Ferguson Frances Fleming Lisa Fisher Diana Fortuna Susan Frampton Gaye Freese Lisa Freese Sheryl Friedlander Shirley Friedman Thomas Fuchs Michael Galizia Larry Garvin Tom Goode Greg Grenier Barry Grinnell Ira Haber Rebecca Henry Leta M. Hall Jim Hummel Donna Jaffe Lyle Jaffe Ralph Johnson Amanda Jones Courtney Kalbacker Linda Kirk Peter Kline Shannen Knapp |
Michael Kostrzewa
Alexa Kuhn Helene Kram Kate Kawniczak Carol Leahy Syril Lessans Harvey Levine Robert Levey Edith Livingstone Malinda Lloyd Ron Lloyd Todd Allen Long Jane Maryott Mary Sue Merritt Stevie Miller Josh Milton Constance A. Morella Gina Nowacki Barabara J. Omohundro Deborah Peetz Gary Pricer Amy Rauch Catherine Huntress-Reeve Jon Riley Bill Rogers Maureen Roult Carla Rountree Sandy Rovner |
Rosalie Santilhano
Shirley Santilhano Marion Scodari Andrew Sheets Roberta Smit Madeleine Smith Melanie Smith Dawn Snyder Joseph Sorge Wendy A.F.G. Stengel Julie Stevens Gary Sullivan Rusty Suter Mollie Toms Guillaume Tourniare C. Ed Vilade Edward Walker Sterling Washington Stephen D. Welsh Kiersten Whitehead Meghan Williams Ed Wiot Kent Woods Denise Young Tom Zebovitz |
